Artist 丨 Ding Xiao / Wang Jinglan / Yang Muyuan / Jiang Zhaosheng /Chu Xuan  

新News Release 

At 3:00 PM on August 23, 2014, "Huifeng And Chang -- Calligraphy Exhibition of Outstanding Graduates of China Academy of Fine Arts" was grandly opened in "West Lake, Landscape, Culture -- Art Gallery" in Huanglong Hotel, Hangzhou, which is the 36th exhibition held by Hanyang Art Center on the art gallery.

The calligraphy has been very taptaph to trouble for ages. Five outstanding graduates of the Calligraphy department of China Academy of Art observed, reflected on and observed the creation of calligraphy in their daily life, blending their own talents and learning with the beauty of ancient classical poetry and prose, pursuing the sincerity and elegance of writing and expressing their own nature.

In this exhibition, 33 calligraphy works created by these five outstanding students are exhibited, all of which show the charm of calligraphy tradition and can be tasted carefully by the audience. The extension will last until October 10, 2014.

From the above

"Book" originated from nature, and in Yin and Yang. Zhuangzi said, "Heaven and earth have great beauty but do not talk, four times have clear law but do not discuss, all things have theory but do not say", heaven and earth Yin and Yang crissccross to meet and all things, endless. This is the origin of painting and calligraphy.

Learning at ordinary times is to observe, to reflect, and also to observe. For me, "creation" is about facing the heart. Occasionally I force myself to forget what I've learned over the years and go into the world of meditation to see what my "true self" is like. At this time to realize that "great works of nature, all things are equal" (Wang Xizhi's poem), is really broad-brush. There are "pain" and "pain" after the joy, is a breakthrough numerous psychological and physical barriers, self-breakthrough process, is also the process of improving the realm of life.

——Ding Xiao 

Calligraphy is a constant friend to me. In the realm of my life, it is possible to have thoughts associated with calligraphy all the time. The full water dripping from a faucet, for example, is the perfect three-dimensional "point." When turn on the tap gently, outflow and strength of water column, can immediately associate YuZhuZhuan stipple features. And sometimes carelessly, the faucet is opened too big, water is swift and violent, spurt and go out, water column opens fork, can produce with cursive fly white the resonance of the effect. Such examples abound, is the so-called "vertical and horizontal elephant". Therefore, it can be said that life is full of artistic inspiration of calligraphy. I like the work of washing dishes after going home during the holiday very much, because of the cleaning order of different cutlery, the stacking of different sizes of bowls, the final ornament of chopsticks and spoons... The consideration of the whole operation process is identical with the essence of the calligraphic design. The development and accumulation of this kind of "suihui" is really the fate of calligraphy and me.

——Wang Jinglan 

The emotion of calligraphy, for me, is innate; In the face of different works of calligraphy, the feeling is not the same: the classic calligraphy works can achieve a high degree of unity in appearance and inner, is the calligrapher's "heart painting", expressing the soul alone, and can make the audience moved. For me, it's the sincerity and the elegance of writing that makes it possible to create and last.

Most of the works in this exhibition take The Book of Songs as the theme and are written by Jijin in the next three generations. This shows the bizarre and gummy spirit of works. Sutras such as Prajna Heart Sutra and Auspice Sutra are written in small script so as to be ethereal but dignified. When writing, not from his own chest out is not willing to write, so confident in the work is true. I look forward to your correction.

——Yang Muyuan

Yu Xuezhiyin, will be more than a discipline. Learning the qin and Han dynasties, learn its attitude of leveling and square, admire its elegance and grace of the spirit. Bingdao, never dare to back in this purpose. Every now and then a piece of random work is also an act of diversion, but it only brings laughter to a big family. It is true that the former worthies call peace and integrity beauty.

Master's teaching, learning should be based on character, only reading can change the temperament, is the only way to medical practice. The emphasis on learning and character has become a consensus. Carry knife cloth white, skill also; Spirit, spirit, learning. Its skill into the road, will be learned! Mr Dongpo cloud: "back into the mountains not enough treasure, reading ten thousand volumes before god." Does he speak only with his pen?

——Jiang Zhaosheng

The calligraphy has been very taptaph to trouble for ages. It not only relies on the great breath of ancient sages, but also sustains the scholar to spread his arms and plunge into the deep and grand landscape.

The creation of calligraphy, concentrated in the "chest hill and gully" arranged by private soldiers, blends into the exquisite richness of fingers and wrists, and promotes calligraphy techniques as a way of practicing in daily life experience.

The author's series of works, cursive "the inkwell record", "the wind pavilion", "li lead by the harp", regular script "goddess", lower case chibi ", more than a pulse wind book presents to two Kings, the wei and jin dynasty, and the song, and Shen Hao teacher inspiration, open spirit, one face is travelling, but learn ancient but not old, trying to show two Wang Shufeng in the spirit of The Times of blends with the beauty of ancient classical poetry, writing with pen square in loftiness. It is the author's attempt and breakthrough to use rhythmic brushwork, spiritualized lines and the dialectic between being and not.

——Chu Xuan

The exhibition works

Ding Xiao

Wang Jinglan

Yang Muyuan

Jiang Zhaosheng  

Chu Xuan

Exhibition site